Real Studios will soon be luring the public to Walthamstow Wetlands' new visitor centre, with displays that layer information and activities around a lively central café in the refurbished Victorian Triple Engine House. It opens summer 2017. Currently one of Thames Water's best-kept secrets, Real Studios' scheme is designed to encourage exploration of the vast reservoir landscape, with AV's revealing the workings and history of the site, its flora and fauna. A key feature of the design, an iconic installation, will be suspended over the ground floor café: 150 glass bottles, their contents gathered and displayed through engagement with local community groups and schools. We are working

For the Royal Academy's new blockbuster, Revolution (now open), Real Studios has deployed a revolutionary sensibility using graphics, structures and colours inspired by Russian design of the period. This acts as a frame to the extraordinary (and sometimes controversial) art works of the period. Revolution: Russian Art 1917-1932 charts the period when artists and designers looked to reinvent what and indeed who their art was for. Real Studios' bold design takes visitors on a dynamic journey through the mixed media content, harnessing the dynamism of the period's flourishing visual language, with a 'Russian' sense of colour, large graphic propaganda and dynamic structural interventions.

'Stylishly designed, the show proceeds with verve, and has a lovely flow.' The Telegraph - 7th Feb 'you can expect something vivid and varied - and often viscerally moving' The Times - 7th Feb 'In a brilliant (and un-signposted) coup de théâtre, the ceiling of this ornate, neoclassical gallery is hung with recreations of the abstract forms designed by Nathan Altman for Palace Square in St. Petersburg' Art News - 8th Feb 'Thrilling and chilling' The Financial Times - 11th Feb 'The brief but soaring flight of the Russian Avant Garde falls to earth in a silt of Stalinist kitsch, and what follows is condensed in the intensely moving Room of Memory.' The Guardian - 12th Feb 'The dizzying idealis